Down the rabbit hole you go!
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I'm in this book (a lot!) |
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Spaces and Illusions, High Museum 1980
(note painted-on-the-wall sofa back) |
When I was still a student at The Atlanta College of Art
The High Museum created a children's exhibit called Spaces and Illusions. Actually it was
Mack Scogin, his associates at Heery and Heery Architects, and volunteers who designed and created the exhibit which was brilliant and trippy. Think
Dr. Calgari meets
Charles Dodgson. I worked there as a student guide and never tired of it. It was a playful series of chambers, completely thrilling to explore. Also included was a bit of trompe l'oeil painting, a strikingly believable "Hershey bar" and "sofa back" for a couple of examples.
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Click on these pages to enlarge |
Apparently the idea was planted in my head and soon afterwards I was taking commissions to paint my own versions of fool the eye painting. By the end of the (8os) decade I was sort of "over" it but Karen S. Chambers very kindly included me in her book,
Trompe L'Oeil At Home (1991) so my work in that genre/period is nicely documented. Karen flatters me with a
visual comparison to
Borromini and by using more examples of my work than any other artist in the book. Thanks Karen!
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click on these pages to enlarge |
Commissions are one thing but would I ever use the technique in my own work? The first thing I thought of was a painting I did in 2001. It's from a series based on images in a little sketch/collage book of mine. Once upon a time my brother sent me a post card from
London, I think it's a little bronze in the
British Museum. I stuck the card in my book and splashed a little blue watercolor above as a sort of
Dada gesture. Years later I retrieved it and reinterpreted it as subject matter blown up. My 2001 figure series was a mix of ultra flat and space popping images. The truth is I have no allegiance to any sort of technique or subject but teach myself what I want to know.
What do you know?
Scott, I have had Trompe l'Oeil at Home on my bookshelves since it was first published, and am pleased to know that I've owned reproductions of your work for years! For those who have not seen it, I would say that Karen Chambers' book (and Scott's) is one of the handsomest you'll find on the subject.
ReplyDeleteMark, Thanks so much!
ReplyDeleteHow, HOW, have I, smitten all my live by the decorated wall, not known about your blog until now? (Thank-you Mrs. Blandings). Absolutely wonderful posts--
ReplyDeleteYou might be interested in my post of a couple weeks back about an odd fresco project in the wilds of Maine on my own blog, if you have a chance: http://thedowneastdilettante.blogspot.com/2010/11/frescoes-of-south-solon-maine.html
And now, if you'll excuse me, I'm off to read more of yours. Love the Charleston posts
DED the WWW's a big place. I discover something new every day! Thanks for stopping by and leaving comments. I so appreciate it!
ReplyDelete