1928-2011
Tuesday, December 27, 2011
Thursday, December 15, 2011
A Day in Court
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| Marie Antoinette. Did she ever get her day in court? A print I found in Linda's office. |
Last week I drove up to Santa Barbara and ended up in court. But I'm innocent I tell you! I had an appointment to meet Linda Chase, an interior designer who's in Summerland just a bit south of Santa Barbara . Arriving early for our date I had a little lunch, explored the Santa Barbara Museum : very nice, then walked around the corner where I discovered the extraordinary courthouse building. OK I confess. I knew it was there. I'd been to it many years ago. It's one of those beautifully designed buildings that beckons you: come closer, come inside. So I did.
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| Santa Barbara Courthouse |
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| Come closer to the Santa Barbara Courthouse. |
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| What a court room! |
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| Not your typical ceiling unless you are in the Santa Barbara Courthouse. |
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| Looking down the spiral staircase. |
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| Looking up the spiral staircase. |
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| Same spiral staircase. The stencil colors appear different to my camera due to the lantern. |
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| The Ponce, Atlanta circa 1950 |
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| The exterior of The Ponce in Atlanta. You enter under a low slung canopy and make your way to the back of the lobby which opens into tall grand space. |
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| Tiffany ceiling of The Ponce lobby. |
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| Panning down from the stained glass ceiling. |
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| Stenciling in the cove. Lot's of gilding and glazing here too. |
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| Stenciling, gilding, polychroming and glazing in the mezzanine. |
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| I still have some of the stencils used at The Ponce! |
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| Marbleizing painted to match some existing scagliola. |
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| Kristen Marooney and Shane Robuck of Robuck and Company in The Ponce! |
I would say the closest I've ever come to a project like the Santa Barbara Courthouse where architecture and decorative painting seem so dependant on one another is The Ponce in Atlanta,GA . That was 1981. A restoration? Perhaps it's more accurate to call it a recreation project because most every surface was primed white when I began. It was months of stenciling, gilding, glazing, and marbleizing. Coincidentally I recently met (online) an Antique dealer, Kristen Marooney, whose partner lives in the Ponce . Their company portrait uses my work as a backdrop. I love seeing that because it gives life to the place. When I was working in it there were no residents. Kristen's choice of brilliant raspberry couldn't be more wonderful, just what the Ponce needs, a little jolt to it's Edwardian pedigree.
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