Tuesday, February 19, 2013
Monday, February 11, 2013
February 2013
Flickr: where my paintings live.
Labels:
gouache,
ink,
painting,
Scott Waterman,
watercolor
Tuesday, February 5, 2013
Sunday, February 3, 2013
Other Voices Other Rooms
Other Voices, other rooms, you know, to expand your horizons.
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| Sam Durant's light box (2008) at the Hammer.. |
We've been having some
absolutely gorgeous winter weather here in SoCal so I think we should get out
for a little field trip, don't you?
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| Portuguese Point: very near Steve Shriver's place. |
Listen, I've got just the thing. Steve Shriver invited me down to his place on the Palos Verdes peninsula so let's motor. WOW,
what a place! He lives and works in what was meant to be the caretakers' house
for very ambitious estate that was never built. The whole setting, grounds and
buildings is some kind of location scout's dream, it's all so cinematic. Steve
has completely steeped himself in classical painting and the fine results speak
for themselves. I especially like some recent work he's done with ink washes.
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| Original elevations of what was meant to be the Villa where Steve Shriver lives and works. |
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| Like me Steve is a hoarder of digital (reference) imagery. |
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| Egg and dart and so forth. |
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| Ink wash rendering. See also the photo above. |
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| Steve Shriver, artist and distant relative of Maria. |
Ok, we've got to move on now.
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| Llyn Foulkes , the younger. |
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| Early period Llyn Foulkes. |
There's the Llyn Foulkes
show at the Hammer
Museum and I'm taking you
to the opening. If you know your Hollywood
by face you can fill me because I'm not that well versed. A Hammer opening is
the kind of event that draws the artistically inclined smart set of the
'industry'. There's Harvey Weinstein on his way out and I just brushed by Jack Black. But we're not here for them!
Let's look at Llyn's work shall we? I've been a fan since the late 70s. When I first saw a Llyn Folkes painting I thought: here's the fresh American answer to Francis Bacon. I started with the bloody heads but the Hammer show fills in the earlier successes, the rocks for instance. And of course there's plenty of the later 3D work. Fascinating.
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| Slightly past early period Foulkes. |
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| These were even larger than they look here. The Rock series. |
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| Hairdids. Who wore it best? |
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| The bloody heads series, and not in the British sense. |
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| Dramatic installation: an entire room for one painting. |
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| Mix media with mummified cat. |
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| Later period Llyn Foulkes. |
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| What the heck? That's Llyn Foulkes for ya. |
Let's look at Llyn's work shall we? I've been a fan since the late 70s. When I first saw a Llyn Folkes painting I thought: here's the fresh American answer to Francis Bacon. I started with the bloody heads but the Hammer show fills in the earlier successes, the rocks for instance. And of course there's plenty of the later 3D work. Fascinating.
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| They always put something really interesting in The Vault. Here it's Enrico David. What a nut! |
Now one last thing before we
leave the Hammer. We'll just duck into the Vault Gallery. Whoops, what the? It's all the work
of one artist named Enrico David. A little disturbing, maybe, but playful and
inventive. Another one to watch. What have you seen lately?
Wednesday, January 9, 2013
206_phone
Phone me!
Labels:
artistecase,
Face Book,
iphone,
iphone cover,
Like,
mandala,
Scott Waterman
Saturday, January 5, 2013
Far Out. Far In.
-J. Lennon
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| The auspicious lotus from the Huntington Library collection. |
I'm not all
that crazy about winter but we've turned the corner and I'm so glad. The days
are getting longer which will continue from now till June 21st after which they
start to shorten again. The way in is the way out. Who said that? Can you tell
me?
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| Beautiful Science at the Huntington. |
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| The world in a tiny tree. |
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| A window in a fence. Isn't that great? |
The last thing
I did in 2012 was pay a visit to one of my favorite cultural institutions, The
Huntington (Library, Art Collection, and Gardens). What a treat and how
fortunate we are in L.A to have such a treasure. I hadn't been since they
opened the newly expanded Japanese garden and completely rebuilt the teahouse.
" The teahouse, called Seifu-an (the Arbor of Pure Breeze),
was donated to The Huntington by the Pasadena
Buddhist Temple .
Built in Kyoto in the 1960s, it made a return
trip to Japan
for restoration in 2010. Kyoto-based architect and craftsman Yoshiaki Nakamura
(whose father built the original structure) oversaw the restoration. The
restored teahouse was then shipped back to San
Marino and painstakingly reassembled here under the
tutelage of Nakamura and other expert craftsmen who had traveled from Kyoto for the project. "
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| I'm taking you to tea. Walk through the sliding panels. |
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| Here we are. |
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| And here is where we imagine ourselves to be. |
The
previous owners of my own house were Japanese American and I feel they imbued
the place with that spirit. The house is also imbued with cold when it's cold
just like a traditional Japanese house. But I love all things Japanese. Well, let's make that a number of things Japanese. So from Japan to China ,
actually Taiwan for lunch
after the Huntington .
It's a little place not far from the Huntington
in Arcadia . Din
Tai Fung: voted best Chinese restaurant 2012 by L.A. Times readers.
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| The Japanese Garden continued. Here we see the future through the past. |
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| The to-go bag from Din Tai Fung. |
Goodbye old
man 2012 and hello baby 2013. The way out is the way in. That's a labyrinth and
that was my start of the new year.
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| Here it is, the labyrinth in my neighborhood.. |
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| And here is the labyrinth in the Chartres Cathedral, same design. |
It's taken me nearly 10 years to at last pay
a visit to the Peace Awareness Labyrinth which happens to be 20 minute walk
from my house. It's behind the old Busby Berkeley house on Adams
which now houses the Movement of Spiritual Inner Awareness. Read all about it
if you care to, all I know is that they very kindly allowed us access to the
gardens and labyrinth and left us alone. How nice, awful nice. Really quite
paradise and the song went on forever. (apologies to D. Bowie)
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